On Sunday 26 February, Gallery 1957 will be hosting a series of events in order to celebrate the opening of crazinisT artisT’s debut solo show at the gallery: Rituals of Becoming. The day will start at 10.30am with a breakfast and discussion with the artist alongside international curator Maria Rus Bojan, moderated by CCQ Magazine editor, Ric Bower. crazinisT artisT will be performing at 5pm, followed by a drinks reception at the gallery from 7pm – 11pm.
If you are interested in attending any of these events, please RSVP to email@example.com.
In an interview with Oliver Enwonwu for Omenka Magazine, crazinisT artisT talks about performance art in Africa, the thoughts that go behind his work and what he hopes visitors will see in 'Rituals of Becoming', his debut solo exhibition at Gallery 1957.
You can read the entire interview here.
We were delighted to be profiled in Artsy’s recent feature on art galleries championing alternative art centers across the world - it is an honor to be listed alongside so many incredible art spaces including Laveronica arte contemporanea in Modica, Sicily, and Proyectos Ultravioleta in Guatemala City, Guatemala. Since opening on 6 March 2016 – Ghanaian Independence Day – we have continued to work towards cultivating the incredible creativity that comes from Ghana and Accra, which proudly remains our primary focus.
Read the rest of the article here.
Next month we will be exhibiting a solo booth of works by Serge Attukwei Clottey at the fifth edition of Cape Town Art Fair from the 17 – 19 February. Gallery 1957 will feature in the TOMORROWS/TODAY section of the fair; a curated cross-section of the most exciting emerging artists from Africa.
Find out more about visiting Cape Town Art Fair here.
January’s issue of Interview magazine explores the art scene in Accra as an emerging market. Highlighting the cultural force of the city, the article includes comments from those based in Accra who are responsible for driving the movement: Gallery 1957 founder Marwan Zakhem, and artists Serge Attukwei Clottey, Jeremiah Quarshie and Zohra Opoku.
British-Ghanaian curator and writer, Osei Bonsu, will be joining Gallery 1957 to oversee the expanding exhibition program. As a lecturer in modern and contemporary art, Bonsu has undertaken prestigious research residencies at various institutions including Para Site (Hong Kong), Hospitalfields (Edinburgh) and Nanyang Technological University’s Centre for Contemporary Art (Singapore). He has also previously worked on the development of a number of projects focused on international art, including Pangea II: New Art from Africa and Latin America(Saatchi Gallery, 2015) and 1-54 Contemporary African Art Fair (2013 - 14). Bonsu’s primary research focus pertains to questions of progress and the conception of modernity in relation to social, cultural and economic transformation in the 20th and 21st centuries.
We are delighted to have Bonsu on board in light of the recent international attention and praise Accra has received as an emerging cultural capital. Next year Bonsu will be curating the 10th edition of Satellites series The Economy of Living Things - featuring new work by international artists Ali Cherri, Oscar Murillo, Steffani Jemison and Jumana Manna; he will also be curating exhibitions at Jeu de Paume (Paris) and CAPC: Centre for Contemporary Art (Bordeaux).
With exclusive photography from Serge’s studio in Labadi taken by Rudi Geyser, Nataal co-founder Helen Jennings interviewed Serge Attukwei Clottey to discuss his artistic practice. Featuring comment from Gallery 1957 founder Marwan Zakhem, the essay charts Clottey’s artistic growth.
Read the full article here.
As one of Nigeria’s fastest rising artists, Gerald Chukwuma’s work explores migration as a constant process of transformation. Considering the implications of globalisation on his immediate environment, Chukwuma manipulates common materials to render new stories of Nigeria’s social and political history. We were lucky enough to have Gerald join us at the gallery for an informal presentation of his work with Gallery 1957 founder Marwan Zakhem. The event was streamed this on our Facebook page, click here to watch it back.
The new issue of Signatures will allow an insightful look into the minds of young Gallery 1957 artists Jeremiah Quarshie and Yaw Owusu, alongside the founder and director of ANO Ghana, Nana Oforiatta Ayim. Signatures is a new bi-annual magazine, offering a platform for the exploration of the cultural pursuits and passions coming from Africa. The magazine will feature interviews and photography that will reveal the creative processes of artists, musicians, writers and designers.
Gallery 1957 is proud to announce it will be taking part in Art X Lagos from Friday 4 - 6 November 2016. West Africa's first International Art Fair is founded and directed by Tokini Peterside with Bisi Silva as artistic director. The fair will feature 50 artists, 10 countries and 30 exhibitions. From Gallery 1957 Jeremiah Quarshie will be exhibiting works from his Yellow is the Colour of Water series.
Visit the fair.
In the latest edition of Under the Influence, Serge Attukwei Clottey talks with founder and director of ANO Ghana, Nana Oforiatta Ayim. In it, Serge discusses his artistic techniques in consideration of modern Africa’s wider concerns. Serge explains that his artistic endeavours cannot be detached from his rich cultural heritage, his use of the yellow gallons for example is both influenced by his childhood memory of carrying water to his family and the symbolic importance of the gallon in face of the water crises. Serge and Nana go on to explore the importance of tradition and the local philosophies which are at the heart of their communities.
You can order this issue here.
Young architect and artist Latifah Idriss has designed the latest edition of ANO Ghana’s Books on Arts and Culture. The Agbako Book & Film Launch will be on Sunday 9 October from 3-4.30pm at 1:54Contemporary Art Fair, Somerset House, London. The book is the first in a series of publications by ANO, proposing new architectural museum models which emphasise the importance and impact of historical and contemporary cultural production and its capacity to transform and enhance our social realities.
Find out more about ANO’s past and present projects here.