Eric Adjei Tawiah - Threads of Past and Present: London, UK
Gallery 1957, London is pleased to present Threads of Past and Present, a solo exhibition of new work by Ghanaian artist Eric Adjei Tawiah with a curatorial essay by Rebecca Anne Proctor.
In his most recent work on view in Threads of Past and Present, the artist’s first solo show at Gallery 1957 in London, Tawiah offers a celebration of camaraderie, friendship, family and major public figures, both living and deceased, during a moment when human kinship is needed more than ever. Through these new paintings Tawiah resurrects the spirit of people, things and events that have since past and imbues them with new life—with a loving and immortal presence. The artist’s body of 17 new works, include several paintings portraying the two Ghanaian friends. Depicted regularly by Tawiah, they are also practicing artists who are currently studying fine art at Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. Tawiah captures them on Accra’s famed Labadi beach strolling hand clasped in hand dressed in fashionable attire once worn by his grandfather.
On the inclusion of floral elements into his new body of work, the artist explains, “These are flowers that I saw when my mother’s body was being put into her grave,” he explains. “They are flowers people threw at her form as it was being lowered into the ground as a sign of respect. I remember all of the flowers I saw on the graves at the cemetery.” A rich use of flowers in these new works thus refer to the joy of living, the beauty of the natural world and commemoration for those no longer with us.
About the Artist
Eric Adjei Tawiah (b. 1987) is a Ghanaian artist and alumnus of the prestigious Ghanatta College of Art and Design in Accra, Ghana. Tawiah is known and revered for his unique approach of using nylon sponge for vibrant figurative representations. Adjei Tawiah lives and works in Accra - Ghana, where he is inspired by his community and surroundings. His unique technique which he has labeled “Sponge Martial” – is a practice inspired by the cleansing of his mother’s corpse in the mortuary. Tawiah channels this idea of cleansing through his work, the bright, vibrant colors a representation of the bright moments that follow the darker times in life. Tawiah hopes by developing his artistic voice - his work will serve as a source of inspiration to humanity through times of affliction.
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Eric Adjei Tawiah, Reminisces, 2022
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Eric Adjei Tawiah, Threads of Past and Present, 2022
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Eric Adjei Tawiah, Suave, 2022
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Eric Adjei Tawiah, Threads of Past and Present, 2022
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Eric Adjei Tawiah
Left: King/Monarch, 2022
Right: Synergy, 2022
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Eric Adjei Tawiah
Left: Hue-Blow, 2022
Right: Hued Up, 2022
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Eric Adjei Tawiah, Threads of Past and Present, 2022
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Eric Adjei Tawiah
Left: tbc, 2022
Middle: Ecstatic, 2022
Right: Maverick, 2022
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Eric Adjei Tawiah
Left: Unwavering, 2022
Middle: Unruly, 2022
Right: African-Sunflower, 2022
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Eric Adjei Tawiah, Bonded-Forever, 2022